Curated by Vince Rozario
Presented at the Design Offsite Festival: Come Up To My Room. Gladstone Hotel, 2018.
This project is a marker for the absence of intersectional feminisms’ in contemporary visual culture. It sets out to examine the labour around making and holding space- an often-repeated evocation in contemporary artistic and social discourse. In the art historical canon, the feminine has been relegated to interior, domestic spaces for the past two centuries. The social parallel has been to isolate feminist discourse within biological, ethnic, and class-bound markers. While the experiences of institutionalized misogyny and erasure, the women, femmes, two-spirit, and gender non-conforming artists in this installation intersect- profound discontinuities and contentious disagreements abound. The language of solidarity between these intersections is very much a work in progress- with approximate markers holding space for terms that can encompass the vastness of a marginalized existence. The result is a space in permanent flux- containing the messy shards and jagged edges of solidarity in a state of continual evolution. Shattered nerves, furtive pride, salvaged homelands, nostalgia and itinerant spaces of care populate this room. Its inhabitants are late-invited guests, squatters even, at a conversation whose terms have been pre-defined. They speak in languages that have been misappropriated and distorted, vulnerable to misinterpretation and co-optation. Their loud din echoes in passages and labyrinthine hallways, leading to a protected space where their incitements can breathe.
Pamila Matharu, Karen Azoulay, Nedda Baba, Yan Wen Chang, Marianne Ibrahim, Zahra Komeylian, Maanii Oakes, Kalpna Patel, Kendra Yee.